Vinci Sans Font ##TOP##

Vinci Sans Font ##TOP##





 
 
 
 
 
 
 

Vinci Sans Font

where did they come from? well, for starters we broke the rules of type. they havent been around since the dawn of typography. with the advent of computer technology and digital font creation, people have been experimenting with type long before digital typography.

inventive typefaces were the early “outsiders”, the experiments before the introduction of the discipline of graphic design. out of these early experiments we got garamond, bembo, didone and garald. finally, we have the typefaces that we thought were traditional, but because of new technology, are actually experimental. futura. swiss, display and palatino are there.

the story of typeface design is like the story of digital music. the birth of the modern industrial revolution in the mid-19th century was accompanied by a revolution in typesetting. mechanized typesetting allowed for the creation of new typefaces. the problem was the tonality of the body text. the new professional style found it hard to adapt to the legibility of the text and the ornamental nature of the page. this is where typeface design began.

using letters that look like a handwriting instead of types was the first step towards a new visual language. once the alphabet was more legible, a new terminology had to be found to describe the rhythm and symmetry of the letters. the basics of the alphabet were first presented as decorations, and they seem much like elements of the drawings that we see in the real world.

until the late 19th century, typography was generally restricted to the printing industry. in this period, typeface design was mainly concerned with the existence of a standard form for type. this led to a direct relationship between the design of the typeface and its usage. however, that changed abruptly. in this period, the new digital technology allowed for the use of type as a design tool, as a graphical interface. at the same time, the electronic revolution began to transform the everyday objects we use. this brought about a revolution in typeface design.

where did they come from? well, for starters we broke the rules of type. they havent been around since the dawn of typography. with the advent of computer technology and digital font creation, people have been experimenting with type long before digital typography.
inventive typefaces were the early “outsiders”, the experiments before the introduction of the discipline of graphic design. out of these early experiments we got garamond, bembo, didone and garald. finally, we have the typefaces that we thought were traditional, but because of new technology, are actually experimental. futura. swiss, display and palatino are there.
the story of typeface design is like the story of digital music. the birth of the modern industrial revolution in the mid-19th century was accompanied by a revolution in typesetting. mechanized typesetting allowed for the creation of new typefaces. the problem was the tonality of the body text. the new professional style found it hard to adapt to the legibility of the text and the ornamental nature of the page. this is where typeface design began.
using letters that look like a handwriting instead of types was the first step towards a new visual language. once the alphabet was more legible, a new terminology had to be found to describe the rhythm and symmetry of the letters. the basics of the alphabet were first presented as decorations, and they seem much like elements of the drawings that we see in the real world.
until the late 19th century, typography was generally restricted to the printing industry. in this period, typeface design was mainly concerned with the existence of a standard form for type. this led to a direct relationship between the design of the typeface and its usage. however, that changed abruptly. in this period, the new digital technology allowed for the use of type as a design tool, as a graphical interface. at the same time, the electronic revolution began to transform the everyday objects we use. this brought about a revolution in typeface design.
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